Ideas and Imagery #4

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When I first started shooting I just didn't understand black and white.  I couldn't figure out why people didn't prefer color.  We see in color, and there is so much beauty in color, I just couldn't imagine shooting anything in black and white.

As I started to seek out stronger compositional elements like shapes, lines, and forms, I also started to experiment with black and white to try and understand how it changed and focused my pictures.

What I hadn't realized was that I was shooting at times of day where black and white conversion was less effective such as low contrast times like sunrise and sunset.  There just wasn't enough difference between light and dark to give things shape.

What I also found is that processing in black and white simplifies compositional elements.  When you are trying to represent shapes, lines, and forms, black and white helps distill an image down to remove the distraction that color can sometimes cause.

I also liked that I could remove detail from the shadows to form shapes.  The black and white in this photo make the bridge wires, road, and vehicle shapes stand out from the sky.  Where the blue sky might draw your eye past the bridge, the black and white version helps you focus on the bridge and semi trucks.  It accentuates the shadowy truck against the sunlit truck above and creates a dynamic between the two.  In color, the clouds become the subject, and the red in the flag pulls your eye away instead of merely balancing the image.

It is funny how your perceptions can change with a little bit of effort and a desire to see things in a different way.

Ideas and Imagery #2

It's important for me to keep an open mind about the pictures I take.

This is a shot taken in downtown Portland, and I'd like to say that I intentionally shot this with the backpack in the frame.  I didn't.  In fact, I shot this, came home, and was disappointed because I thought the bag was a distraction.

Being relatively new to photography at the time, I had really only shot landscapes, nature, and cityscapes, and if there was something or someone in my shot I would get frustrated.  The bag ruined the shot for me at the time.

Over time though, I kept coming back to this shot and I wasn't sure why.  I ultimately realized it was the backpack that was an entry point to the shot for my eye.  That backpack adds a narrative that the shot lacked otherwise.

Since this lesson, I try to keep my mind open to new possibilities that push my goals for a shot.  If you go into a shot with your eyes closed, you just might miss a better shot right in front of you.  Had I seen the bag to start with, I would have missed this one myself.

Ideas and Imagery #1

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This sunflower shot was taken in 2011, shot in Auto mode on my Nikon D5000.  We bought the D5000 for family pictures in December 2010, but I had really wanted a DSLR after trying one and seeing the photos that came out of it.

I love this shot because it was one of the first where I was trying to make something that justified owning much more camera than I knew what to do with.  It would be another 6 months before I even tried to shoot in manual.

Looking back on this shot now, I know why I like it.  If you had asked me when I took it, I wouldn't have been able to explain it, mainly because I had no idea why nor the language to communicate it.

But this was a beginning of sorts, and one of the first steps on my way to becoming passionate about photography.